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Studio : |
American Sound, Memphis, Tennessee |
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Producer : |
Chips Moman, Felton Jarvis |
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Engineer : |
Al Pachucki |
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XPA5 1157 |
January 21 (Tue.): 20:00 - 23:00 |
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Take 01 |
FS+PB |
4:15+ |
Preceeded by FS+LFS & rehearsal |
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Memphis Sessions°°(PB only: 0:55-1:55 & 2:55-4:15 spliced w. LFS take 5) |
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Take 02) |
LFS |
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UN |
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Take 03) |
FS |
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UN |
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Take 04) |
FS |
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UN |
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Take 05) |
LFS |
0:58 |
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Memphis Sessions°°(spliced with take 1) |
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Take 06) |
FS |
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UN |
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Take 07) |
(M) |
4:49 |
(4:46) Undubbed master. Further overdubs: |
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Draft mix tape°(track 13)/American Rejects° |
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Overdubs |
(M) |
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March 18 (UN) | |
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Overdubs |
(M) |
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March 19 (UN) | |
Overdubs |
M |
4:31 | Backup vocals overdubbed on March 25? | March 25? (Suspicious Minds°°/Elvis Now°°) |
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XPA5 1153 |
January 21 (Tue.): 20:00 - 23:00 |
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Take NA |
(M) |
2:52 |
(2:48) Vocal overdub of January 16 track |
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Draft mix tape°(track 16) /For the Good Times°(intro cut) |
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Overdubs | (M) | Brass overdubs on March 18(night) | March 18 (UN) | |||
Overdubs | (M) | String overdubs on March 19(noon) | March 19 (UN) | |||
Overdubs | M | 2:46 | Backup vocals overdubbed on March 25 or later? | March 25-? (Almost in Love LP°°) |
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XPA5 1151 |
January 21 (Tue.): 20:00 - 23:00 |
Take NA(1) | PB | 3:14 | (3:04) Vocal overdub of January 16 track | Memphis Record°°(R, with later backup vocal, string & brass overdubs) | ||
Used for master: 0:00-0:41, 0:55-1:36, 1:48-2:29 | +"Draft mix tape°(track 18, dialogue)" | |||||
Take NA(2) | PB | Alternate v.o. take or later vocal repair | ||||
Used for master: 0:42-0:54, 1:37-1:47, 2:30-2:53 | ||||||
Spliced | PB (Draft) | 3:03 | (2:56) Composite of v.o. take NA(1) & the | Draft mix tape°( track 18, with later backup vocal overdubs)/American | ||
following from v.o. take NA(2): | Rejects°(with later backup vocal overdubs, intro cut, pitch: 96.56%) | |||||
0:45-0:54: "inherit the wind, inherit the wind" | ||||||
1:37-1:38 (no breath) | ||||||
1:38-1:47: "inherit the wind, inherit the wind" | ||||||
2:30-2:56: "inherit the wind, inherit the wind"x2 (2 less) | ||||||
Spliced | (M) | Composite of v.o. take NA(1) & the following | UN | |||
from v.o. take NA(2): | ||||||
0:42-0:54: "That's how it is when you ... wind" | ||||||
1:37-1:47: breath+"inherit the wind, inherit the wind" | ||||||
2:30-2:56: "inherit the wind, inherit the wind"x2 (2 less) | ||||||
Further overdubs: | ||||||
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Overdubs | (M) | First backup vocal overdub on January 24(early)? | January 24? (Draft mix tape°, track 18, slightly different vocal splice) | |||
Overdubs | (M) | String overdubs on May 5 | May 5 (UN) | |||
Overdubs | M | 2:56 | Brass and 2nd backup vocals overdubs on May 6 | May 6 (Back in Memphis°°) |
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XPA5 1152 |
January 21 (Tue.): 20:00 - 23:00 |
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Take NA |
(M) |
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Vocal overdub of January 16 track |
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UN |
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V.O. |
(M) |
2:48 |
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January 22-February 28? (Draft mix tape°, track 17/American rejects°) | |
Overdubs | (M) | Brass overdubs and re-recording of 'bell intro' | March 18 (UN) | |||
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Overdubs |
(M) |
2:36+ |
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March 19 (Memphis Memories°°) | |
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Overdubs |
M |
2:48 |
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March 31, 1970 (Suspicious Minds°°) |
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XPA5 1147 |
January 22 (Wed.): 01:00 - 04:00 |
Take NA | (M) | 2:51 | Full vocal replacement after band & brass overdubs: | Memphis Record°°(R, except first word: "That..."; including later overdubs) | ||
+Susp. M.(0:00-0:05)/Guitar M.(1980 track)/Too Much M B. FTD (1980) | ||||||
I) | 0:00-0:05 "That..." | Not used (Suspicious M°°, edit/partial outtake without other overdubs) | ||||
II) | 0:05-0:35 "...big eight-wheeler...move on, baby" | Not used (Suspicious M°°/Memphis Record°°, except first word: "That...") | ||||
III) |
0:53-1:08 (*) replaced with alternate lyrics, (**): | |||||
(*) "That big bad whistle as he blew and blew... Please listen | Unrepaired vocal kept on Suspicious M. edit/partial outtake without other | |||||
to me let this rattler free and keep movin' on. Move on son, | overdubs) | |||||
move on." | ||||||
(**) "Mr fireman won't you please listen to me...Please | Vocal replacement used for master | |||||
listen to me let this rattler free and keep movin' on. Move | ||||||
on son, move on." | ||||||
IV) | 1:08-1:38 added, non-verbose "ta-ta" | Used for master | ||||
V) | 1:38-2:42 "I told you baby"...end | Used for master |
Composite | PB (Draft) | 2:46 | Draft composite of unrepaired master (0:00-0:53, | Draft mix tape°(track 1, including backup v.o.) | ||
1:08-1:38) & repaired vocals (0:53-1:08, 1:38-1:53) | ||||||
Composite | (M) | Composite of unrepaired master (0:00-0:53) | UN | |||
& repaired vocals (0:53-2:43) | ||||||
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Overdubs |
M |
2:55 |
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January 22 (From Elvis in Memphis°°) |
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XPA5 1142 |
January 22 (Wed.): 01:00 - 04:00 |
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Take NA |
(M) |
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Vocal repair of unknown part of undubbed master |
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UN |
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Overdubs |
(M) |
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January 22-23 (UN) |
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Overdubs |
(M) |
3:44 |
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January 23-24 (Draft mix tape°, track 7) | |
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Overdubs |
M |
3:43 |
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March 18 (From Elvis in Memphis°°) |
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XPA5 1149 |
January 22 (Wed.): 01:00 - 04:00 |
| Take NA | (M) | Vocal overdub of January 15 track | UN | ||
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| V.O. | (M) | 2:55 | Harmony v.o. by Elvis on Jan 22-Feb 28? | January 22-28? (Draft mix tape°, track 20) | |
| Overdubs | (M) | Brass overdubs on March 19 | March 19 (UN) | ||
| Overdubs | M | 2:47 | String overdubs on March 21 | March 21 (2nd to None°°-clipped/Suspicious Minds°°/Rare Elvis°°) |
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XPA5 1150 |
January 22 (Wed.): 01:00 - 04:00 |
| Take 01 | FS (abandoned) | 0:13 | Vocal overdub of January 15 track | Suspicious Minds°(vocal track only) |
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XPA5 1158 |
January 22 (Wed.): 01:00 - 04:00 |
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Take 01) |
FS |
0:17 |
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Memphis Sessions°°("take 2")/Finding the Way Home°(1-6-1)+"tape" |
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Take 02) |
FS |
0:13 |
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Memphis Sessions°°("take 1")/Finding the Way Home°(1-6-2) |
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Take 03) |
PB |
2:32 |
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Memphis Sessions°°/FTWH°(1-6-3)/American Cr.°/Animal I.°+"tape" |
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Take 04) |
2xFS+LFS |
3:11 |
Preceeded by rehearsal |
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Finding the Way Home°(2-6-1)+"tape" |
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Take 05) |
(M) |
2:25 |
Undubbed/unrepaired master. Overdubs: |
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UN |
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Overdubs |
(M) |
2:28 |
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January 24? (Draft mix tape°, track 12) | |
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Overdubs |
(M) |
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May 7 (UN) | |
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Overdubs |
(M) |
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May 7 (UN) |
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Spliced | M |
2:25 |
'Mock voice' (2:04-2:07) replaced with (1:16-1:19) |
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(Great Country DSD°°/Back in Memphis°°) |
repeated: "You made me king of your heart" |
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XPA5 1143 |
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Take NA |
(M) |
3:02 |
Full vocal replacement of January 13 master |
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Memphis Sessions°° |
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Overdubs |
(M) |
2:35 |
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January 24? (Draft Mix tape°, track 5/American Rejects°) |
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Overdubs |
(M) |
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May 5 (UN) |
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Overdubs |
M |
2:29 |
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May 6 (Back in Memphis°°) |
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XPA5 1146 |
Takes NA |
(M) |
3:43 | (3:40+) Full vocal replacement of January 14 master | Draft mix tape°(track 22)/Edge of Reality° | ||
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Overdubs |
(M) |
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May 5 (UN) | |
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Overdubs |
M |
3:58 |
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May 6 (Back in Memphis°°) |
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XPA5 1145 |
Take NA | (M) | 2:43 | Full(?) vocal replacement of January 14 | Memphis Record°°(R, including later overdubs) | ||
undubbed/unrepaired master take. | ||||||
I) | 0:00-0:55 "I have to leave town...that loved on look" | Used for master? | ||||
II) | 0:56-1:06 "Shoop shoop shoop shoop... | Used for master? | ||||
_______...Baby, you're wearin' that loved on look" | ||||||
III) |
1:07-1:22 "Baby, if you ever loved me...in Arkansas" | Not used for master (Memphis Record°°) | ||||
IV) |
1:23-1:24 "Baby..." | Used for master. | ||||
V) | 1:24-2:48 "...you're wearing that loved on look"...end | Used for master? | ||||
Composite | PB (Draft) | 2:48 | Draft composite of repaired vocals (0:00-0:55, | Draft mix tape°(track 2, including later overdubs) | ||
1:24-2:48) & January 14 unrepaired | ||||||
vocals (0:56-1:06, 1:07-1:22, 1:23-1:24). | ||||||
Composite | (M) | 2:48 | Draft composite of repaired vocals (0:00-0:55, | UN | ||
0:56-1:06, 1:23-1:24, 1:24-2:48) & January 14 | ||||||
unrepaired vocals (1:07-1:22). | ||||||
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Overdubs |
(M) |
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January 23 (Draft mix tape°, track 2) |
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Overdubs |
M |
2:48 |
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January 24? (From Elvis in Memphis°°) |
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Musicians: |
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Guitar : |
Reggie Young |
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Guitar : |
Elvis Presley |
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Bass : |
Tommy Cogbill |
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Bass : |
Mike Leech |
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Drums : |
Gene Chrisman |
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Piano : |
Bobby Wood |
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Organ : |
Bobby Emmons |
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Steel Guitar : |
John Hughey (From a Jack to a King) |
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No recording date information is available for the
observed vocal replacement of You'll Think of
Me and This
Is the Story and the
vocal repairs of Wearin' That Loved On Look. |
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Estimation of vocal differences between released versions of I'm Movin' On (sample unrepaired/repaired ): | |||||||
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| FTD | Memphis Record | Suspicious Minds | Draft mix tape | Master |
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0:00 - 0:05 | Unrepaired master | Unrepaired master | Vocal repair | Unrepaired master | Unrepaired master | ||
0:05 - 0:35 | Unrepaired master | Vocal repair | Vocal repair | Unrepaired master | Unrepaired master | ||
0:35 - 0:53 (instr.) | Unrepaired master | Vocal repair (instr.) | Vocal repair (instr.) | Unrepaired master | Unrepaired master | ||
0:53 - 1:08 | Unrepaired master | Vocal repair | Unrepaired master | Vocal repair | Vocal repair | ||
1:08 - 1:38 | Unrepaired master | Vocal repair | Vocal repair | Unrepaired master | Vocal repair | ||
1:38 - 1:52 | Unrepaired master | Vocal repair | Unrepaired master | Vocal repair | Vocal repair | ||
1:53 - 2:43 | Unrepaired master | Vocal repair | Unrepaired master | Vocal repair | Vocal repair | ||
2:43 - 2:52 | Unrepaired master | - | Unrepaired master | - | - | ||
The re-recorded 1980 'Guitar Man' version of I'm Movin' On has the repaired vocal track only. | |||||||