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Studio : |
American Sound, Memphis, Tennessee |
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Producer : |
Chips Moman, Felton Jarvis |
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Engineer : |
Al Pachucki |
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Arranger : |
Mike Leech, Glen Spreen |
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XPA5 1157 |
March 18 (Tue.): 19:00 - 22:00 |
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Takes NA |
(M) |
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Brass overdubs of January 21 master |
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UN |
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Overdubs |
(M) |
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March 19 (UN) | |
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Overdubs |
M |
4:31 | Backup vocals overdubbed on March 25? | March 25? (Suspicious Minds°°/Elvis Now°°) |
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XPA5 1271 |
March 18 (Tue.): 19:00 - 22:00 |
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Takes NA |
(M) |
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Brass overdubs after string overdubs |
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UN |
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| Overdubs | M | 3:15 | Backup vocal overdubs on March 25 | March 25 (Great Country DSD°°) |
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XPA5 1272 |
March 18 (Tue.): 19:00 - 22:00 |
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Takes NA |
(M) |
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Brass overdubs of February 20 master |
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UN |
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| Overdubs | (M) | Strings overdubbed on March 21 | March 21 (UN) | |||
| Overdubs | M | 2:44 | Backup vocal overdubs on March 25 | March 25 (From Elvis in Memphis°°) |
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XPA5 1155 |
March 18 (Tue.): 19:00 - 22:00 |
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Take NA |
(M) |
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Brass overdubs after vocal overdub/replacement |
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UN |
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Overdubs |
(M) |
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March 19 (UN) |
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| Overdubs | (M) | Band & harmony vocal overdubs on March 20 | March 20 (UN) | |||
| Overdubs | M | 3:24 | Backup vocal overdubs possibly on March 25? | March 25? (Great Country DSD°°) |
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XPA5 1154 |
March 18 (Tue.): 22:00 - 02:00 |
| Take NA | M | 2:47 | Brass overdubs after string overdubs | From Elvis in Memphis°°(O)/24K Hits DCC°°(O)/E1°°(R2) | ||
| Memphis Record°°(R1, poor eq)/Gold Records 5°°(O, L/R swapped) |
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XPA5 1153 |
March 18 (Tue.): 22:00 - 02:00 |
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Take NA |
(M) |
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Brass overdubs after vocal overdub |
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UN |
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| Overdubs | (M) | String overdubs on March 19(night) | March 19 (UN) | |||
| Overdubs | M | 2:46 | Backup vocals overdubbed on March 25 or later? | March 25-? (Almost in Love LP°°) |
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XPA5 1152 |
March 18 (Tue.): 22:00 - 02:00 |
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Take NA |
(M) |
2:48 |
Brass overdubs & re-recording of 'bell' (intro |
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UN |
| 0:00-0:08 & 0:53-1:10) after harmony v.o. | ||||||
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Overdubs |
(M) |
2:36+ |
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March 19 (Memphis Memories°°) | |
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Overdubs |
M |
2:48 |
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March 31, 1970 (Suspicious Minds°°) |
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XPA5 1274 |
March 18 (Tue.): 22:00 - 02:00 |
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Take NA |
(M) |
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Brass overdubs after string overdubs |
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UN |
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Overdubs | M |
3:03 | Backup vocal overdubs on March 25? |
| March 25? (From Elvis in Memphis°°) |
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XPA5 1227 |
March 18? (Tue.): 22:00 - 02:00 |
| Take NA | (M) | 3:22 | Possibly basic brass overdubs after March 18 | if so: Memphis Rec°°(R)/E Rocks & the Girls Roll°°(acetate, ~7.2% fast) | ||
| string overdubs. (Sample: Acetate, Left channel: | ||||||
| part near end could include a solo trumpet, but may | ||||||
| just be strings playing the parts of the final brass | ||||||
| arrangement. | ||||||
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Overdubs |
M |
4:31 |
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August 7 (Heart & Soul DSD°°) |
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Musicians: |
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Trumpet : |
Wayne Jackson, R.F. Taylor |
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French Horn : |
Joe D'Gerolamo, Tony Cason |
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Trombone : |
Jackie Thomas, Jack Hale |
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Saxophone : |
Glen Spreen, Andrew Love |
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| Piano? ('bell'?) : | Bobby Wood? (Mama Liked the Roses) |
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The DCC '24 K Hits' CD may be the preferred, most
natural digital version of the album master of In
the Ghetto, expected to be matched (at least) in the future
when a proper Sony transfer is released. BMG's obsolete master (60's
Box/'Suspicious Minds' 2xCD) unfortunately has the usual flaws.
Although the 2002 release '30 # 1 Hits'
didn't pass the audio test in general, In the
Ghetto was an exception with a nice remastering effort, apart
from the levels/clipping.
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