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Overdub Session for RCA, March 25, 1969 (strings & backup vocals) |
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Studio : |
RCA Studio A, Nashville, Tennessee |
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Producer : |
Felton Jarvis, Chips Moman |
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Engineer : |
Al Pachucki |
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Arranger / Leader: |
Don Tweedy |
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XPA5 1270 |
March 25 (Tue.): 14:00 - 17:00 |
Takes NA | M | 2:51 |
String and backup v.o. after harmony v.o. |
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Back in Memphis°°(O) |
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XPA5 1265 |
March 25 (Tue.): 14:00 - 17:00 |
Takes NA |
M | 2:41 |
String & backup v.o. after harmony v.o. |
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From Elvis in Memphis°°(O)/Memphis Record°°(R, poor eq) |
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XPA5 1276 |
March 25 (Tue.): 14:00 - 17:00 |
Takes NA | M | 3:11 | String & backup vocal overdubs of Feb. 21 master | Back in Memphis°°(O)/Memphis Record°°(R, poor eq) |
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XPA5 1278 |
March 25 (Tue.): 14:00 - 17:00 |
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Takes NA |
(M) |
3:18 |
String & backup v.o. of February 22 master |
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Ultimate Gospel°°(O)/Susp. Minds°°(O)/ |
You'll Never Walk Alone°°(O)/Memphis Record°°(R) |
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XPA5 1275 |
March 25 (Tue.): 14:00 - 17:00 |
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Takes NA |
M |
2:40 |
String & backup vocal overdubs of Feb. 21 master |
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Suspicious Minds°°(O)/Let's Be Fr LP°°(O)/Big Boss Man CD°°(O) |
Master running ~1.4% too slow |
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XPA5 1273 |
March 25 (Tue.): 14:00 - 17:00 |
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Takes NA |
M | 2:39 | String overdubs after March 21 strings |
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Great Country DSD°°(O)/Memphis Record°°(R, poor eq) |
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XPA5 1157 |
March 25? (Tue.) |
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Takes NA |
M |
4:31 |
Backup vocal overdubs after string overdubs |
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Suspicious Minds°°/Elvis Now°°(O)/Memphis Mem°(4:04, ~108.47%) |
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XPA5 1268 |
March 25? (Tue.) |
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Takes NA |
M |
2:40 |
Backup v.o. after Mar. 19 brass overdubs |
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From Elvis in Memphis°°(O)/Memphis Record°°(R, poor eq) |
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XPA5 1271 |
March 25? (Tue.) |
Takes NA | M | 3:15 | Backup vocal overdubs after Mar. 18 brass overdubs | Great Country DSD°°(O)/Second to None°°(R3)/Gold Rec. 5°°(R1)/ | ||
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(+possibly additional strings) |
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Susp. M.°°(O)/60's Box 4(O)/Memph. Rec.°°(R2)/We Love E. 2(R2) |
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XPA5 1272 |
March 25? (Tue.) |
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Takes NA | M | 2:44 |
Backup vocal overdubs after March 21 strings |
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From Elvis in Memphis°°(O)/Memphis Record°°(R, poor eq) |
(+possibly additional strings) |
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XPA5 1274 |
March 25 or earlier? |
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Take NA |
M |
3:03 |
Backup vocal overdubs after brass overdubs |
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From Elvis in Memphis°°(O)/Memphis Record°°(R, 2:54, poor eq) |
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XPA5 1155 |
March 25? (Tue.) |
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Take NA |
M |
3:24 |
Backup v.o. after band & harmony vocal overdubs? |
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Great Country DSD°°(O)/From Elvis in Memphis°°(O)/ |
Memphis Record°°(R, poor eq)/Behind Closed D.°°(acetate source) |
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XPA5 1153 |
March 25 or later? |
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Take NA |
M |
2:46 |
Backup vocals possibly overdubbed after strings |
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Almost in Love LP°°(O)/Suspicious Minds°°/Big Boss Man CD°°(O) |
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XPA5 1156 |
March 25 or later? |
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Overdubs |
M |
2:11 |
Backup vocal overdubs of intro (0:07-0:27) |
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Suspicious M.°°/Almost in L. LP°°(O)/Memph. Rec°°(R, poor eq) |
after brass overdubs |
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Musicians: |
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Violin : |
Brenton Banks, Lillian Hunt, Pierre Manard, Solie Fott, George Binkley, Akira Nagai, |
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Bron Bach, Sadao Harada, Marvin Chantry, Gary Vanosdale | |||
Backup Vocals : | Carolyn Montgomery, Dolores Edgin, Joseph Babcock, Hurshel Wiginton, Millie Kirkham |
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The
masters on the bootleg CD 'The Other Side of Memphis'
were done from 2 out of 4 channels taken from the rare Japanese Quad LP of
'From Elvis In Memphis'. Any Day Now
is interesting since it runs twice using different pair of channels on
each track.
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