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Studio : |
RCA Studio B, Nashville, Tennessee |
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Producer : |
Felton Jarvis |
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Engineers : |
Jim Malloy |
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UPA4 2765 |
September 10 (Sun.): 18:00 - 00:00 |
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Take 01 |
FS+FS |
0:57 |
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tape/Stay Away |
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Take 02 |
LFS |
0:41 |
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Take 03 |
FS |
0:55 |
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Always Me 2 |
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Take 04 |
FS+FS |
1:09 |
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tape/Stay Away |
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Take 05 |
FS+Complete |
2:58 |
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Platinum(complete take only)+tape/Always Me 2 |
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Take 06 |
FS |
0:31+ |
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tape |
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Take 07 |
FS |
0:06+ |
High Noon one-liner (between takes 7-12) |
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UN+Platinum (High Noon one-liner only) |
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Take 08 |
LFS |
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UN |
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Take 09 |
Complete |
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UN |
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Take 10 |
Complete |
2:56 |
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Long Lonely Highway |
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Take 11 |
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Take 12 |
(M) |
3:00 |
including What'd I Say |
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Blue Suede Shoes Ballet(~2.4% too fast)+60's Box 3/60's Box 3(~2.4% fast) |
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Take 12 |
M |
2:19 |
Master faded before going into What'd I Say |
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Speedway,Clambake CD(O)/Tomorrow Is a Long Time(R, ~2.4% too fast) |
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UPA4 2766 |
September 10 (Sun.): 18:00 - 00:00 |
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Take 01 |
LFS |
0:52 |
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tape |
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Take 02 |
Complete |
3:52 |
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60's Box 5+"tape" |
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Take 03 |
FS+FS |
0:53 |
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Always Me 4(L/R swapped)+"tape" |
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Take 04 |
FS |
0:33 |
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tape |
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Take 05 |
LFS |
0:55 |
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Always Me 4(L/R swapped)+"tape" |
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Take 06 |
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UN (cut from 2-track tape, lost or considered alt. master?) |
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Take 07 |
FS |
0:40 |
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tape |
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Take 08 |
FS |
0:32 |
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Always Me 4(L/R swapped)+"tape" |
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Take 09 |
FS+Complete |
2:57 |
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Today, Tomorrow and Forever 3/Always Me 4(L/R swapped)+tape |
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Take 10 |
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0:07+ |
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"tape"(dialogue after take 9 only) |
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Take 11 |
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2:52 |
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Speedw.,Clamb. CD(O)/Clambake LP/60's Box 3(R) |
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UPA4 2767 |
September 11 (Mon.): 01:00 - 05:30 |
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Take 01 |
FS |
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UN |
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Take 02 |
FS |
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UN |
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Take 03 |
LFS |
1:39 |
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Always Me 4(L/R swapped) |
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Take 04 |
Complete |
2:42 |
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Always Me 4(L/R swapped) |
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Take 05 |
FS |
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UN |
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Take 06 |
FS |
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UN |
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Take 07 |
FS |
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UN |
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Take 08A |
Complete |
2:38 |
Instrumental tracks only, mistake? |
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Always Me 4(Instrumental tracks only, L/R swapped) |
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Take 08B |
FS |
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UN |
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Take 09 |
Complete |
2:35 |
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Close Up 3/Always Me 4(L/R swapped) |
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Take 10 |
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Take 11 |
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Take 12 |
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Take 13 |
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Take 14 |
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Take 15 |
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Take 16 |
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Take 17 |
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Take 18 |
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Take 19 |
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Take 20 |
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Take 21 |
M |
2:37 |
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We Love Elvis vol. 2(O)/Speedw.LP(O)/T.Is a Long Time(R)/60's Box 3(R) |
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UPA4 2768 |
September 11 (Mon.): 01:00 - 05:30 |
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Take 01 |
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Take 02 |
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Take 03 |
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Take 04 |
Complete |
2:56 |
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Close Up 3 |
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Take 05 |
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Take 06 |
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Take 07 |
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Take 08 |
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Take 09 |
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Take 10 |
FS |
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UN |
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Take 11 |
FS |
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UN |
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Take 12 |
Complete |
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UN |
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Take 13 |
(M) |
2:59 |
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Treasures 1964-1969+Long Lonely Highway/L. Lonely Highw./Alw. Me 2 |
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UPA4 2769 |
September 11 (Mon.): 01:00 - 05:30 |
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Take 01 |
M |
2:08 |
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Speedw.,Clamb.CD(O)/In Nashville(R)/T. Is a L. Time(R)/60's Box 3(R) |
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Take 02 |
FS |
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UN |
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Take 03 |
FS+FS |
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UN |
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Take 04 |
Complete |
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UN |
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Take 05 |
FS |
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UN |
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Take 06 |
Complete |
2:02 |
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Great Country Songs°°(L/R swapped)/Come What May° |
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UPA4 2770 |
September 11 (Mon.): 18:00 - 21:00 |
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Take 01 |
LFS |
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UN |
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Take 02 |
Rehearsal+FS |
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UN |
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Take 03 |
FS |
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UN |
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Take 04 |
FS |
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UN |
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Take 05 |
Complete |
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UN |
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Take 06 |
LFS |
0:15+ |
Take 7 preceeded by Ode to Billie Joe one-liner |
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UN+60's Box 3(Ode to Billie Joe one-liner only) |
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Take 07 |
Rehearsal+(M) |
4:33 |
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60's Box 3(R)/Silver Box cassette(Timing 5:00? NOT VERIFIED) |
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Edit |
M |
2:47 |
Edited master (0:00-1:15, 3:01-4:33 of take 7, if 4:33) |
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Silver Box LP/CD(R)/Rec.Baby(R, extended 10 s.)/T. Is a Long Time(R)/ |
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Rare Elvis(O)° 2:42 |
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UPA4 2771 |
September 11 (Mon.): 18:00 - 21:00, 21:00-00:30 |
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Take 01 |
Rehearsal+M |
2:33+ |
(Master w/o dialogue: 2:30) |
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We Love Elvis vol. 2(O)+"Black St.Bilko EP(acetate source)"+UN(rehearsal) |
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Take 02 |
Complete |
0:05+ |
Last chord possibly used for spliced BMG master |
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UN |
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Spliced |
(M) |
2:28 |
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60's Box 3(R)/Tomorrow Is a Long Time |
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UPA4 2772 |
September 11 (Mon.): 18:00 - 21:00, 21:00-00:30 |
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Take 01 |
FS |
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UN |
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Take 02 |
Complete |
2:41 |
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Stand by Me vol. 2°°/Gospel(Time-Life) |
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Take 03 |
Complete |
2:33 |
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Stand by Me vol. 1°° |
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Take 04 |
FS |
0:14 |
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Easter Special |
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Take 05 |
Complete |
2:43 |
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Easter Special |
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Take 06 |
FS |
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UN |
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Take 07 |
Complete |
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UN |
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Take 08 |
Complete |
2:33 |
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Today, Tomorrow and Forever 3 |
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Take 09 |
M |
2:33 |
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Peace in the Valley(R)/Amazing Grace(R)/You'll Never Walk Alone(O) |
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UPA4 2773 |
September 11 (Mon.): 21:00-00:30 |
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Take 01 |
Complete |
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Used for spliced master |
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UN |
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Take 02 |
FS+Complete |
3:42 |
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Platinum/Stand by Me vol. 1°°(Complete only)+UN(FS) |
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Take 03 |
FS |
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UN |
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Take 04 |
LFS |
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UN |
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Take 05 |
FS |
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UN |
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Take 06 |
FS |
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UN |
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Take 07 |
FS+FS |
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UN |
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Take 08 |
LFS+rehearsal |
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Used for spliced master |
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UN |
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Spliced |
M |
2:45 |
Spliced from takes 8 and 1 |
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Peace in the Valley(R)/Amazing Grace(R)/Greatest Hits vol. 1(R)/ |
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You'll Never Walk Alone(O)/Colonel's Collection° |
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UPA4 2774 |
September 12 (Tue.): 01:00-03:30 |
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Take 01 |
FS |
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UN |
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Take 02 |
FS+FS |
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UN |
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Take 03 |
Complete |
2:54 |
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Always Me 2 |
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Take 04 |
FS |
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UN |
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Take 05 |
(M) |
2:19 |
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UN |
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UPA4 2774 |
September 12 (Tue.): 01:00-03:30 |
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Take NA |
M |
2:19 |
Harmony vocal overdub of take 5 |
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Clambake LP(O)/Tomorrow Is a Long Time(R)/60's Box 3(R) |
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Musicians: |
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Guitar : |
Scotty Moore |
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Guitar : |
Jerry Reed (Guitar Man and Big Boss Man) |
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Guitar : |
Harold Bradley |
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Guitar : |
Chip Young |
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Bass : |
Bob Moore |
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Drums : |
Murrey "Buddy" Harman |
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Drums : |
D.J. Fontana |
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Piano : |
Floyd Cramer |
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Piano : |
Elvis Presley (You'll Never Walk Alone) |
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Organ : |
Hoyt Hawkins (Mine, Singing Tree and Just Call Me Lonesome) |
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Organ/Guitar/Harmonica : |
Charlie McCoy |
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Saxophone : |
Homer "Boots" Randolph |
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Steel Guitar : |
Peter Drake |
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Trumpet |
Ray Stevens |
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Backup Vocals : |
The Jordanaires: Gordon Stoker, Hoyt Hawkins, Neal Matthews and Ray Walker |
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Backup Vocals : |
Millie Kirkham |
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The BMG remaster of
Guitar
Man
appears to run about 2.4% too fast (even when taking into
account that Jerry Reed kept tuning this guitar as can be
heard before take 10). The original master is right (both on
'Clambake' LP and the Pair Double Feature CD) and so are the
'Platinum' and 'Long Lonely Highway' outtakes. (Should be
key of Cb, thanks Johnny Savage.) |
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