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Studio : |
RCA Studio B, Nashville, Tennessee |
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Producer : |
Chet Atkins |
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Engineer : |
Bill Vandervort |
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SPA4 2331 |
March 18 (Thu.) |
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overdub |
(M) |
2:40 |
Overdub of F2WB 8115 recorded in 1954 |
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Elvis for Everybody CD"°°" |
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slowed down |
M |
2:53 |
Original master slowed down ~8% |
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Elvis for Everybody LP"°°"/° |
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Musicians: |
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Guitar : |
Chet Atkins |
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Guitar : |
Grady Martin |
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Guitar, Harmonica : |
Charlie McCoy |
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Bass : |
Henry Strzelecki |
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Drums : |
Buddy Harman |
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Backup Vocals : |
The Anita Kerr Singers: Anita Kerr, Dorothy Dillard, Louis Nunloy and William Wright |
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Tomorrow
Night,
originally recorded at SUN in
August or September 1954, was slowed down about 8%, thus transposing
it a half step down, for the original release on
Elvis for
Everybody
in 1965. The reason was surely to match the vocals with
Presley's of 1965. Whether the pitch adjustment was done before
or after the instrumental or background vocal overdubs is
not known. The background vocals may sound slowed down as
well, but the guitar work sound equally good at both speeds.
Opinions
are welcome
of course. BMG's 1990 CD release of the same album has this
overdub running at the original Sun pitch, but again, it's
hard to tell if the originally slowed down master was
speeded up this time or if it is how the master sounded
before slowed down. |
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