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Soundtrack Session for Paramount: Loving You, January 21-22, 1957 |
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Studio : |
Paramount Scoring Stage, Los Angeles, California |
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Producer : |
Walter Scharf |
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Engineer : |
Phil Wisdom |
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A1X |
January 21: 09:00 - 14:00 |
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Take 01 |
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"vocal and group" |
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Take 02 |
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Take 03 |
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Take 04 |
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Take 05 |
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Take 06 |
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Take 07 |
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Take 08 |
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Take 09 |
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Take 10 |
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Take 11 |
M |
1:28 |
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H2WB 2195 |
50's Box 3/Loving You |
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BX |
January 21 |
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Take 01 |
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Take 02 |
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Take 03 |
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Take 04 |
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Take 05 |
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Take 06 |
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Take 07 |
M |
2:11 |
Intro and ending used for spliced movie version |
SPA5 2870 |
tape |
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LTD |
January |
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Spliced |
M |
1:44 |
Spliced from L-2 , H2WB 0255-9 and D-17 |
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Soundtrack |
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BY |
January 21 |
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"Take" 01 |
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2:18 |
Binaural transfer of record version H2WB 0257-14 |
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BDL |
January 21 |
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Take 01 |
(M) |
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Used for overdubbed movie version. |
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BYTDZ |
January 21 |
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Spliced |
M |
2:35 |
LPA5 5812 |
Soundtrack/Essential 1 | |
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BDL-01 overdubbed. |
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Detour (instrumental, end version) |
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January 21: 15:30 - 20:00 |
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Take 01 |
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Take 02 |
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Take 03 |
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Take 04 |
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Take 05 |
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Take 06 |
M |
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HX |
January 22: 08:00 - 11:00 |
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Take 01 |
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Take 02 |
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Take 03 |
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Take 04 |
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Take 05 |
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Take 06 |
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Take 07 |
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Take 08 |
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Take 09 |
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Take 10 |
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Take 11 |
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Take 12 |
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Take 13 |
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Take 14 |
M |
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Not used |
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UN |
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Musicians: |
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Guitar : |
Scotty Moore |
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Rhythm Guitar : |
Hilmer J. "Tiny" Timbrell |
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Bass : |
Bill Black |
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Piano : |
Dudley Brooks |
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Drums : |
D.J. Fontana |
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Piano : |
Gordon Stoker |
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Piano : |
Hoyt Hawkins |
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Backup Vocals : |
The Jordanaires: Gordon Stoker, Hoyt Hawkins, Neal Matthews and Hugh Jarrett |
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Estimation of how Gotta Lot o' Livin' to Do (movie version) was spliced: |
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Intro of L-2 (5 s.) |
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1st 2.5 s. of record version, H2WB 0255-9 |
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1st 6 s. of H2WB 0255-9 (2.5 s. repeat) |
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(1st chorus of record version omitted) |
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1st verse and 2nd chorus of H2WB 0255-9 |
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(2nd verse and 3rd chorus of record version omitted) |
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3rd verse and 4th chorus of H2WB 0255-9 |
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Ending of D-17 |
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(Based on an effort to recreate the movie version using intro and ending from soundtrack and the rest from record version.) |
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| Thanks to Johnny Savage. |