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Soundtrack Session for 20th Century Fox: Love Me Tender, September 4-5, 1956 |
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Studio : |
20th Century Fox Stage 1, Los Angeles, California |
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Producer : |
Lionel Newman |
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Engineers : |
Bob Mayer, Ken Runyon, Murray Spivak |
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S21-S22 |
September 4 |
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Take 01 |
FS |
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S21 |
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UN/Lost |
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Take 02 |
(M) |
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S22. Vocal overdub on September 5 |
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UN |
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S23-S25? |
September 4 |
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Take 01 |
| S23? Abandoned, replaced by part from take 3 |
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UN/Lost |
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Take 02 | S24? | UN/Lost | ||||
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Take 03 | (M) | S25? | UN/Lost |
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S26-S31 |
September 5 |
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Take 01 |
| S26. v.o./replacement of part of verse, take 3 (S12) |
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UN/Lost | |
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Take 02 | S27. "Don't have a pig ... to pull the plough" | UN/Lost | ||||
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Take 03 | S28 | UN/Lost | ||||
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Take 04 | S29 | UN/Lost | ||||
| Take 05 | S30 | UN/Lost | ||||
| Take 06 | (M) |
(0:10) |
S31. 8 seconds used for composite master | (UN) |
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September 5 |
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Spliced |
M |
Spliced from take 3 and part of verse |
G2WB 7259 |
Jailhouse Rock°/50's Box 2° |
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S32-S35 |
September 5 |
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Take 01 |
Inomplete |
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S32. Vocal overdub of track-02 |
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UN/Lost |
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Take 02 |
Inomplete |
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S33 |
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UN/Lost |
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Take 03 |
Complete |
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S34. Used for spliced master |
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(UN) |
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Take 04 |
Complete |
S35. Used for spliced master |
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Jailhouse Rock(vocal channel only, "solo version") | |
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Spliced |
M |
G2WB 7261 |
Jailhouse Rock°/50's Box 2° |
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Musicians: |
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Guitar : |
Vito Mumolo |
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Bass : |
Michael “Myer“ Rubin |
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Drums : |
Richard Cornell |
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Banjo : |
Luther Roundtree |
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Accordion : |
Carl Fortina |
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Backup Vocals : |
The Ken Darby Trio: Rad Robinson, Jon Dodson and Charles Prescott |
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The master of Poor Boy runs 0.45% slower than the released take 3 and was spliced like this (if take 3 is altererd by 0.45%):0:00.0-1:14.8 of take 3, 0:41.8- 0:58.6 of take 3 (reprise), 8 seconds of insert and 1:06.7-1:41.0 of take 3. It seems most spliced, 2nd generation masters from 1956 run a little too slow. |
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The master of Let Me runs about 0.45% slower as well. The vocal track was spliced the following way: 0:04-0:24 has vocal from "solo version", 0:25-1:35 has vocal from the other used vocal take (take 3) and finally, 1:36-2:08 has vocal taken from "solo version". "Solo version" is listed as being from both take 3 & 4 in 'A Life in Music'. It could have be a recent splice, but a guess is that it is one take only since 3 & 4 would coincide with the partly different vocal overdub take on the master, also listed as being a combination of takes 3 & 4 (Sample with Master in Left channel and "solo version" in the Right channel - revealing the different and identical vocal parts.) |
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| Thanks to Johnny Savage. |